রেকর্ডিংরাজশাহী
The songs of Badar Mistry are nothing like the song Arnold Bake recorded.
০২:০৩
এই রেকর্ডিং সম্পর্কে
- উৎসে দেওয়া শিরোনাম
- The songs of Badar Mistry are nothing like the song Arnold Bake recorded. They are an assortment of tunes and styles—chatka, bhatiyali, something comic, some social commentary—they have a radio-like quality, things which go by the name of palligeeti, or a generic rural song. How can this be chhad-petanor gaan or roof-making song? I wonder. Then I think that perhaps a song becomes a chhad-petanor gaan at the time of its performance, during work. When a group of people sing these songs together, the lead and the chorus, the song is transformed. The rhythm of work gets built into the song, the steady beating of oars on the water (sarigaan), dhenki threshing the paddy (dhenkir gaan), wooden ‘pikni’ pounding the roof (chhad-petanor gaan)–whatever the work is, it makes the song.
- স্থান
- রাজশাহীস্থানটি আনুমানিক — district পর্যন্ত জানা।
- সময়
- সময় জানা নেই
- স্থায়ী পরিচিতি
- BDMA-R-000461
স্বত্ব
The Travelling Archive's own material is used by permission with credit, for non-commercial streaming. Third-party material requires separate permission. No downloads; essays are excerpt-only until confirmed.
এই রেকর্ডিং উদ্ধৃত করুন
- এপিএ
- The songs of Badar Mistry are nothing like the song Arnold Bake recorded. They are an assortment of tunes and styles—chatka, bhatiyali, something comic, some social commentary—they have a radio-like quality, things which go by the name of palligeeti, or a generic rural song. How can this be chhad-petanor gaan or roof-making song? I wonder. Then I think that perhaps a song becomes a chhad-petanor gaan at the time of its performance, during work. When a group of people sing these songs together, the lead and the chorus, the song is transformed. The rhythm of work gets built into the song, the steady beating of oars on the water (sarigaan), dhenki threshing the paddy (dhenkir gaan), wooden ‘pikni’ pounding the roof (chhad-petanor gaan)–whatever the work is, it makes the song.. (n.d.). The Travelling Archive. Shurer Manchitra. https://shurer-manchitra.pages.dev/bn/recordings/BDMA-R-000461 Original: https://www.thetravellingarchive.org/roofmaking-chhadpetanorgaan/
- শিকাগো
- "The songs of Badar Mistry are nothing like the song Arnold Bake recorded. They are an assortment of tunes and styles—chatka, bhatiyali, something comic, some social commentary—they have a radio-like quality, things which go by the name of palligeeti, or a generic rural song. How can this be chhad-petanor gaan or roof-making song? I wonder. Then I think that perhaps a song becomes a chhad-petanor gaan at the time of its performance, during work. When a group of people sing these songs together, the lead and the chorus, the song is transformed. The rhythm of work gets built into the song, the steady beating of oars on the water (sarigaan), dhenki threshing the paddy (dhenkir gaan), wooden ‘pikni’ pounding the roof (chhad-petanor gaan)–whatever the work is, it makes the song.." Recorded in Rajshahi. n.d. The Travelling Archive. Shurer Manchitra, BDMA-R-000461. https://shurer-manchitra.pages.dev/bn/recordings/BDMA-R-000461. Original at https://www.thetravellingarchive.org/roofmaking-chhadpetanorgaan/.
- স্থায়ী ঠিকানা
- https://shurer-manchitra.pages.dev/bn/recordings/BDMA-R-000461
সম্পর্কিত রেকর্ডিং
- ৪৫:৩০
- ০২:২৫
- ০০:১১
- ০০:২০
- ০০:৪৬
- ০০:৫০