রেকর্ডিংঢাকা
Finally, we come to Arnold Bake’s recordings, we listen again, I explain to Reena that I cannot give her a…
০৬:২১
এই রেকর্ডিং সম্পর্কে
- উৎসে দেওয়া শিরোনাম
- Finally, we come to Arnold Bake’s recordings, we listen again, I explain to Reena that I cannot give her a copy of her mother’s songs but she records while we play. Interestingly, after I sent Chitralekha Chaudhury’s postal address to the British Library after our meeting in November 2015, they sent her a copy of her 1956 recording with a standard letter explaining what was being given to her and how she must keep it and how she must not make further copies. Rules are rules, but we have to also find our own ways of dealing with these systems. Reena, also a singer, wanted to keep a copy of Indira Devi’s song too, and how else could she do it other than by recording on her tablet while I played the song? Chitralekha talks about Bibidi (Indira Devi) and about learning songs from her. I ask her about some of the other people Bake had recorded in Santiniketan. She tells me what she remember. Laksmisvar Sinha used to talk about the land of endless sunrise and endless sunset. Gurudayal Malik was very sweet and kind and when my little brother touched his feet and did pranam to him, he touched my brother’s feet in return and said, god lives in the heart of the children. I also play them Arnold Bake’s own recordings of Tagore’s songs and ask her, if he is singing in Dinendranath’s style? He is and he is not, she says. He is also a Western trained singer, she clarifies..
- স্থান
- ঢাকাস্থানটি আনুমানিক — district পর্যন্ত জানা।
- সময়
- সময় জানা নেই
- স্থায়ী পরিচিতি
- BDMA-R-000459
স্বত্ব
The Travelling Archive's own material is used by permission with credit, for non-commercial streaming. Third-party material requires separate permission. No downloads; essays are excerpt-only until confirmed.
এই রেকর্ডিং উদ্ধৃত করুন
- এপিএ
- Finally, we come to Arnold Bake’s recordings, we listen again, I explain to Reena that I cannot give her a copy of her mother’s songs but she records while we play. Interestingly, after I sent Chitralekha Chaudhury’s postal address to the British Library after our meeting in November 2015, they sent her a copy of her 1956 recording with a standard letter explaining what was being given to her and how she must keep it and how she must not make further copies. Rules are rules, but we have to also find our own ways of dealing with these systems. Reena, also a singer, wanted to keep a copy of Indira Devi’s song too, and how else could she do it other than by recording on her tablet while I played the song? Chitralekha talks about Bibidi (Indira Devi) and about learning songs from her. I ask her about some of the other people Bake had recorded in Santiniketan. She tells me what she remember. Laksmisvar Sinha used to talk about the land of endless sunrise and endless sunset. Gurudayal Malik was very sweet and kind and when my little brother touched his feet and did pranam to him, he touched my brother’s feet in return and said, god lives in the heart of the children. I also play them Arnold Bake’s own recordings of Tagore’s songs and ask her, if he is singing in Dinendranath’s style? He is and he is not, she says. He is also a Western trained singer, she clarifies... (n.d.). The Travelling Archive. Shurer Manchitra. https://shurer-manchitra.pages.dev/bn/recordings/BDMA-R-000459 Original: https://www.thetravellingarchive.org/chitralekha-choudhury-disappeared-fresco/
- শিকাগো
- "Finally, we come to Arnold Bake’s recordings, we listen again, I explain to Reena that I cannot give her a copy of her mother’s songs but she records while we play. Interestingly, after I sent Chitralekha Chaudhury’s postal address to the British Library after our meeting in November 2015, they sent her a copy of her 1956 recording with a standard letter explaining what was being given to her and how she must keep it and how she must not make further copies. Rules are rules, but we have to also find our own ways of dealing with these systems. Reena, also a singer, wanted to keep a copy of Indira Devi’s song too, and how else could she do it other than by recording on her tablet while I played the song? Chitralekha talks about Bibidi (Indira Devi) and about learning songs from her. I ask her about some of the other people Bake had recorded in Santiniketan. She tells me what she remember. Laksmisvar Sinha used to talk about the land of endless sunrise and endless sunset. Gurudayal Malik was very sweet and kind and when my little brother touched his feet and did pranam to him, he touched my brother’s feet in return and said, god lives in the heart of the children. I also play them Arnold Bake’s own recordings of Tagore’s songs and ask her, if he is singing in Dinendranath’s style? He is and he is not, she says. He is also a Western trained singer, she clarifies..." Recorded in Dhaka. n.d. The Travelling Archive. Shurer Manchitra, BDMA-R-000459. https://shurer-manchitra.pages.dev/bn/recordings/BDMA-R-000459. Original at https://www.thetravellingarchive.org/chitralekha-choudhury-disappeared-fresco/.
- স্থায়ী ঠিকানা
- https://shurer-manchitra.pages.dev/bn/recordings/BDMA-R-000459
সম্পর্কিত রেকর্ডিং
- ১৬:৩৭
- ১৪:৩২
- ০২:৩৪
- ০৪:৪৫
- ০৪:০২
- ০৬:৫৫